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The best way to blend photos with Luminosity Masks

Manuel Becker Manuel Becker in Tips & Tricks
30.05.2017 · 4 min read
Photo by Manuel Becker

Learn how to get beautiful and realistic results within difficult light situations by using this great and easy way to do exposure blending with Luminosity Masks in Photoshop.

Another essential technique for city- and landscape photographers are Luminosity Masks. In my last tutorial, I explained you how to stack multiple exposures with Focus Stacking to get sharper images from the fore- to the background. In this article we will use multiple exposures again, but this time we will use them to recover dark and bright areas within our images. This may sound like doing an HDRI (High Dynamic Range Image) and the basic idea is definitely similar, but the outcome is much more natural and therefore a better way to handle difficult light situations.

Why plain HDR isn’t good enough anymore

Before we talk about what exactly Luminosity Masks are, we should have a look at the HDR technique again, that so many photographers are or were using. The basic idea behind HDR photos is to take multiple exposures with different exposure times, to get one image with a short exposure for the highlights, one long exposure for the dark areas and the usual shot you would take. You can even use more than 3 photos, but usually this is a good point to start.
There are a lot of HDR-softwares available and even Adobe Lightroom can automatically combine multiple exposures to an HDR. The outcome is an image with a very high dynamic range, that your monitor can’t even display properly. To be able to display the image on your monitor, your software usually does something that’s called "Tone Mapping". This step is compressing the dynamic range of your image along different settings again, so that your monitor is able to display it again. The quality of your settings will now define how HDRish or realistic your image will look like.

You may have noticed the disadvantage of HDR yourself: You are blowing up your image to "compress" it afterwards again. This process will create an entirely new image based on global settings, which often tend to issues with noise and halos.

How do Luminosity Masks work?

The idea behind Luminosity Masks is to start with your basic exposure and to blend in the parts, that are too bright or too dark. With this technique you will stay at your initial file format and only blend in parts of your image, that need to be recovered. For this reason the outcome will automatically be more natural, since there is no mapping between brightness and color required. You could do this manually by creating these masks by yourself, but fortunately there are some tricks to generate them automatically in an easy way. Nonetheless this way of blending is much more selective and local, which gives you the freedom to blend in only the parts you really need. This is extremely useful when you have moving objects like waves or leaves in your scene, because automatically merging them usually isn't working smoothly.

The following video by Jimmy McIntyre is explaining the process within Photoshop very well. He is a great photographer and doing a lot of great tutorials about Luminosity Masks, so you should definitely have a look at some of his other videos if you want to learn more about blending.

Important takeaway

Digital blending gets difficult as soon as the initial images are to far away from each other. Bringing the brightness closer to the initial image makes it a lot easer to blend them afterwards and the quality won’t even suffer, because you won’t use the grainy parts of your image anyway. Just make sure, that the parts you will use are well exposed and still look natural, while adjusting the brightness of the unused parts to your original image.

The best way to blend photos with Luminosity Masks

The initial normal exposure.

The best way to blend photos with Luminosity Masks

A shorter exposure (-2 stops) for the highlights in the sky.

The best way to blend photos with Luminosity Masks

A longer exposure (+2 stops) for the wooden stakes and smoother waves.

The best way to blend photos with Luminosity Masks

The final blended image, based on Luminosity Masks. The images were taken at this spot near Domburg in the Netherlands.

Final thoughts

Luminosity Masks definitely create more natural blendings, but HDR is still a viable option for different situations. Sometimes it’s even a good point to start with creating an HDR via Lightroom and to use Luminosity Masks afterwards. This technique just gives you the ability to blend in anything you need to get the best possible outcome.

A lot of photographers (me included) often tend to forget, that all too frequent a single exposure can be enough to get a great result, especially with new camera sensors getting better and better with higher dynamic ranges. Checking and understanding the histogram is a good way to improve your perception of different situations. In case of uncertainty, I would definitely recommend you to take multiple shots, even if you won’t need them in your post processing. Don’t forget about the extra effort for blending and additional disk space though, so getting it right in camera is always a good idea.
I am usually underexposing my photos a little bit, because most of the sensors are better in capturing details within dark areas. That’s why it’s much easier to recover these parts of your image in post processing.

Are you already using Luminosity Masks or do you still prefer HDR? I would love to hear from you in the comments below!

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Comments (9)

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Ralph Kiesewetter
Ralph Kiesewetter 30.04.2019
Hi Manuel, thank you for this inspirational report. I've been working with luminosity masks before (using yet another tool: Lumenzia by Greg Benz - great tool and a tad cheaper than Raya pro). However, I've encountered problems of dull colors and weak contrasts. In complex pictures HDR requires very much reworking and correction, but the colors usually are more brilliant. However, your example encourages me to try again harder on luminosity masks, I like the final sunset picture a lot. Any tipps on how to avoid dull colors are highly appreciated. ;-)
Manuel Becker
Manuel Becker 30.04.2019
Hey dear Ralph, thank you for your feedback and great that it could inspire you. If you have dull colors I would guess, that your masks are not strong enough so that you mix parts too much that shouldn't be mixed. The basic idea is, that the sky can be nearly fully taken from the underexposed photo, so if the colors are dull in this part, they must have been upfront within this photo as well. In general the first thing I always do is a bit of correction first in Luminar or Lightroom to make the 3 images fit together and have a good feeling about the photos in general. Afterwards I merge them with Luminosity Masks and then I start working on colors, dodge & burn to create contrasts and visual highlights etc. This helps to merge the 3 images even more so that the final image doesn't look like 3 images, but like one. And since masking is such a powerfull tool you could even do Luminosity Masks, create an HDR as well and mask in the parts you like from both versions, which is something I sometimes do as well by using the HDR feature of Lightroom for some specific parts of the image or when I just like the result more than the masked one. Hope that helps and feel free to ask again if you still have issues. Manuel
Ralph Kiesewetter
Ralph Kiesewetter 05.05.2019
Hi Manuel, thanks again for the helpful hints and tipps. I feel like I'm on a good way to get the most out of this technique because of those insider information like yours. I highly appreciate it and thank you for taking the time to answer my question as extensively as you did.
Holger Pleus
Holger Pleus 31.05.2017
I do work with Luminosity masks but I use a different tool: TK-Infinity mask by Tony Kuyper. Luminosity masks come in handy in so many ways…
Manuel Becker
Manuel Becker 31.05.2017
Thanks for your feedback Holger, I will definitely have a look at this tool, although Photoshop only already works pretty well for me. I guess these tools can save a lot of time though.
Jeton Krupa
Jeton Krupa 30.05.2017
Gotta give it to Jimmy. I stumbled on him and i have to say, his methods have changed the way i process photos but also the feedback from people is noticeable. So yeah, I love and do use Luminosity Masks.
Manuel Becker
Manuel Becker 30.05.2017
Totally agree, he really makes a difference in this part of photography!
Florian Schwenk
Florian Schwenk 30.05.2017
Jimmy also changed my way of editing photos! Great man!
Jonathan Howison
Jonathan Howison 09.06.2017
I was lucky enough to meet Jimmy through my local photography group here in Arizona in the US. Not only is he talented, but he is a super nice guy. Huge fan of his work - both photography and instructional!

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